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William Nicholson

Hope Gap is a movie starring Bill Nighy, Josh O'Connor, and Annette Bening. A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother

7,1 of 10 star

Year: 2019

Country: UK

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Very enjoyable drama about an couple whose marriage is strained and break up and the effects on each and their grown son. Some humour but a serious film. Performances are first class and as usual Annette Bening is outstanding. John O'Connor (Gods Own Country) also is a stand out. September 6, 2019 7:55PM PT Annette Bening plays a woman blindsided by her husband's decision to leave after three decades in William Nicholson's low-key British drama. In “Hope Gap, ” Annette Bening plays a fiercely intelligent but not nearly independent enough English housewife who has been toiling away on a project for years. A lover of literature, and poetry in particular, Bening’s character Grace is compiling a book of verses for the full range of human experience. She intends to call it “I Have Been Here Before, ” and it will serve as a kind of life preserver for the dejected and depressed, reminding that no one is experiencing hardship for the first time, and that others more eloquent have managed to put those feelings to paper, signaling the way through for all who follow. Writer-director William Nicholson intends “Hope Gap” to work in much the same way. Slow and stuffy, like a filmed play, but also considerably more nuanced and mature than your typical relationship drama, it’s the story of a marriage that ended almost entirely out of the blue after the couple had been together for 29 years. Except the split wasn’t unexpected; it had been telegraphed in tiny ways almost every day for decades, until at last, it came to a head, and the husband (played by Bill Nighy) left, enlisting his son (Josh O’Connor) to help Grace cope with the separation. It’s a difficult prospect, inspired by the divorce of Nicholson’s own parents, and the filmmaker navigates it as sensitively as possible in order to be fair to both parties. In the process, his characters’ pain, and also their resilience, serve to let others know they’re not alone. That’s a noble aim, I suppose, but a rather dreary one for audiences seeking escapism, rather than a suicide hotline — which, incidentally, is where Grace volunteers to work, channeling her newfound cynicism into a kind of surly commiseration with those worse off than she feels. Woe is the soul who suggests “Hope Gap” as a date night. A film like this is better watched at home, curled up beneath the quilt with a pint of Cherry Garcia and a box of Kleenex. More than just the metaphorical discrepancy between Grace’s expectations and the reality of her marriage, “Hope Gap” is an actual place, a scenic stretch of cliffs in Sussex, facing south toward France. It’s a perfectly lovely spot to throw oneself into the ocean — and don’t think that hasn’t occurred to Grace, although she’s none too keen about scraping her face across the white chalk limestone on the way down. Grace and her husband have shared a house not far from the cliffs for decades, firmly entrenched in their routines. Grace never finishes her tea. Edward comes home, makes a cup for himself and retreats to his desk on the other side of the house. Edward is a history professor who spends his evenings “wikiing” (correcting articles on Wikipedia), which inspires one of Nicholson’s many fuddy-duddy riffs on how modern society seems out of sync with his obsolete characters: “If you make a history mistake in a Wiki article, you click undo and revert it. ” (There’s an even more groan-worthy one later, about paying with a chip-equipped credit card: “It’s all contactless now. ”) Nicholson is a gifted writer with an impressive list of credits that includes “Unbroken, ” “Gladiator” and “Les Misérables” (nearly all of which were co-written, which makes his contributions a bit tricky to parse, although more can be told from his C. S. Lewis biopic, “Shadowlands, ” based on his own play). He gives in a bit too easily to showing his wit, which is backed by a kind of earnestness that can be uncomfortable to watch — at least to the extent that “Hope Gap” is personal, a reflection of what his parents went through. Grace adopts a dog and names it after her husband. A detail like that would be corny if someone had made it up, but here it’s just heartbreaking. In the weeks to follow, whenever their grown son Jamie comes home, he finds her sitting on the hall stairs, as if waiting for Edward to return. Again, brutal. He doesn’t let his father off easy (Edward waits until he falls for someone else — the mother of one of his pupils — before finding the courage to leave), nor does he begrudge the man his newfound bliss. When Grace confronts the other woman, the stranger matter-of-factly replies, “I think I thought there were three unhappy people, and now there’s only one. ” The final dagger. What has Jamie lost, raised in a household without real love between his parents? They felt it once, maybe — although a story about how they met (on the wrong train) suggests their son is the only good thing to come of the marriage. And even he seems stunted in matters of romance and home-building, judging by his life back in London. How much of himself has Nicholson put into Jamie? “I never asked myself if she was happy or what she was thinking, ” the young man shares early on — although casting Bening, who seems to have looped her English-accented lines, as his mother seems like the highest compliment, and the actress is excellent in all her bedraggled desperation. In any case, it seems like Edward was equally uncurious about a wife he took for granted, a wife who gets on his nerves. “You go for him, ” Jamie reproaches her. “He should fight back, ” she says. “I want a reaction. ” What she wants is reassurance. Something has been not right about their marriage for ages, and Edward is too mild-mannered to address it. We’re used to seeing Nighy play salty, extroverted characters, garrulous and good-natured, but Edward is like an old ficus, bent over by years of badgering. The more Grace picks at him, the more he retreats … until such time that he has backed himself out of the marriage entirely. Grace wants them to stay together, but it’s clear that neither Jamie nor Nicholson shares that view. The marriage has run its course. It happens. And where do people turn when it does? Well, now they’ll have “Hope Gap” to cling to — proof that someone has been here before. After South by Southwest was cancelled on Friday over concerns about the coronavirus, two of its founders told the Austin Chronicle that the film festival doesn’t have insurance to cover the cancellation. Nick Barbaro, a co-founder of SXSW who is also the publisher of the Chronicle, told the paper that the festival does not have [... ] Leaders of the Directors Guild of America have approved a three-year successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers — [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ].

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Princess Carolyn deserves a happy end. I mean they all do but PC especially. Tohhhh this is the secret project. Good luck praju❤. Hope gap watch full length 2017. Hope Gap Watch Full lengthy. Thank you William Nicholson for saving my Dinard Film Festival 2019. After viewing several so un-innovative "real stories" Red Joan, Fisherman's Friends) and "social realism" films (The Last Tree, VS - even though VS's world of rap battles was fascinating) I was getting really disappointed in British cinema.
Hope Gap made up for all that. It is beautifully acted (Annette Bening is extraordinary) deep and subtle, and does carry you away.

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User Score Play Trailer Overview A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother. Featured Crew William Nicholson Director, Writer You need to be logged in to continue. Click here to login or here to sign up. Global s focus the search bar p open profile menu esc close an open window? open keyboard shortcut window On media pages b go back (or to parent when applicable) e go to edit page On TV season pages → (right arrow) go to next season ← (left arrow) go to previous season On TV episode pages → (right arrow) go to next episode ← (left arrow) go to previous episode On all image pages a open add image window On all edit pages t open translation selector ctrl + s submit form On discussion pages n create new discussion w toggle watching status p toggle public/private c toggle close/open a open activity r reply to discussion l go to last reply ctrl + enter submit your message → (right arrow) next page ← (left arrow) previous page.

Find the best for your family See what's streaming, limit strong violence or language, and find picks your kids will love with Common Sense Media Plus. Join now Superb acting, scenery in otherwise dreary divorce drama. Get it now Searching for streaming and purchasing options... Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options... Your purchase helps us remain independent and ad-free. A lot or a little? The parents' guide to what's in this movie. On life's difficult road, it can be comforting to know that others have gone through the same thing and come out the other side. Positive Role Models & Representations While his parents have unfairly put him in the middle of their divorce, Jamie is a conscientious son who's there for his mom during a crisis, even though it comes at some personal sacrifice. In terms of representation, Jamie's friends are ethnically diverse, and Grace's friend is gay. Jamie broadens the media's traditional view of masculinity: He cries in front of his friends and enjoys poetry. One character slaps another hard across the face and flips a table over in anger. Character expresses suicidal ideations, and there's an active debate about suicide as a form of compassionate euthanasia. Teacher describes cruel treatment in historic military situations. Infidelity leads to divorce. One use of "f--k. " Also "bollocks" and "God! " used as an exclamation. Drinking, Drugs & Smoking Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews There aren't any reviews yet. Be the first to review this title. What's the story? In HOPE GAP, viewers are introduced to mild-mannered Edward ( Bill Nighy), who -- after 29 years of marriage -- plans to divorce his overbearing wife, Grace ( Annette Bening). To do so, he enlists the help of his adult son, Jamie ( Josh O'Connor). Is it any good? As much as this dreary drama looks like a movie, it's not: It's a play. It's only cinematic element is the sweeping landscape photography that turns the crisp, cold beauty of Seaford, Sussex, into a metaphor for Grace's chilly marriage. Speaking of Grace, in that role, Bening proves she's a director's fairy godmother: You can hand her a mousy script, and she'll turn in a performance so heart rending, ferocious, and original that the film transforms. (Her British accent here is a shock, but she nails it, of course, which prompts the realization that if she really were a Brit, we'd be calling her Dame by now. ) Her co-stars turn in equally remarkable performances, but they have less to work with. Nighy's Edward is a mild, reserved teacher who volunteers as a Wikipedia contributor for fun: When he falls in love with another woman, he finds the crutch to leave his wife, but only by using his adult son as a shield. And Jamie is a chip off the old block, also shrinking in the presence of his mother, a woman who shows her love by picking at and hammering her family. But unfortunately Hope Gap is all talk and no action. The characters' conversations could take place anywhere -- like, say, a stage. In fact, it's adapted from one of writer-director William Nicholson's own plays. A two-time Academy Award-nominated screenwriter ( Gladiator, Shadowlands) Nicholson may be too close to the material. The movie is based on his own parents' divorce after 33 years of marriage. Certainly, it's possible to pull off a talky film about divorce -- see Marriage Story and The Squid and the Whale -- but this attempt lacks the levity and relatability of those scripts. Perhaps Hope Gap 's biggest contribution will be marking the point where moviegoers finally start saying, "Well, that director's no Noah Baumbach. " Talk to your kids about... Families can talk about how Hope Gap portrays marriage problems. Is it realistic or "Hollywoodized"? How do problems between spouses tend to affect a family? Discuss the role of communication in a successful relationship. How does the film fill us in on 29 years of communication problems between Grace and Edward? Who's the main character here? Does knowing that this is a semi-autobiographical story about writer/director William Nicholson's parents, who divorced after 33 years of marriage, affect your answer to that question? Can the "lead character" be different than the "main character"? Grace is a poetry anthologist. What's an anthology? Is the film an anthology, too? Taken from Dante Rossetti's poem "Sudden Light, " what is the meaning of the line "I have been here before"? Do you find that idea comforting? Our editors recommend All-too-real divorce drama isn't kid stuff; strong language. Heartfelt dramedy has strong story and characters. Book-based romance has sex, drinking, language. Find-your-bliss film appeals but raises questions, too. '80s comedy-drama has mature themes, profanity. A family falls apart -- for adults only. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.

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